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The Wicked Stage: SPP and the Laramie Project

May 7, 2012
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The Wicked Stage: SPP and the Laramie Project

Holy shit.  In December and January, I wrote two columns critical of the San Pedro Playhouse’s lackluster programming, which tends towards warhorses of the “family-friendly” musical theater canon. Last week, newly-appointed President Asia Ciaravino announced that they were scrapping three previously announced productions for next year—“older” musicals like South Pacific and Will Rogers Follies—and...
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The Wicked Stage takes Manhattan (again) to find a lesser Porgy

January 1, 2012
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The Wicked Stage takes Manhattan (again) to find a lesser Porgy

Last winter’s planned trip to NYC—and to “Spider-man 1.0”—was deep-sixed by the Great Blizzard of 2010, and I cried salty, salty tears as my flight limped back to San Antonio. This year, however, the theater gods smiled, and I took in four shows during the crowded holiday season. In order: Porgy and Bess. Last...
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Review: Spring Awakening in Austin

November 10, 2011
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Review: Spring Awakening in Austin

So I happened to see one of those ubiquitous sliding internet ads for The Book of Mormon, which eventually morphed into Ben Brantley’s claim that Mormon is “The Best Musical of This Century!” Now, I realize we live in age of both instant superlatives and instant forgetfulness, but really, I don’t think that assertion...
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Hairspray and Molière in Austin

August 15, 2011
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Hairspray and Molière in Austin

This past week, I grabbed a twofer in Austin: Molière’s Imaginary Invalid at the City Theatre and Hairspray at the Zach Scott. (Commentators on my blog and reviews occasionally complain that my point of comparison for San Antonio theatre is New York theatre; that’s nonsense. I’ve also got Austin, Dallas, and Houston on my...
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Up the Road — August: Osage County in Austin

May 4, 2011
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Up the Road — August: Osage County in Austin

Last weekend, I tricked a carload of San Antonians into seeing August: Osage County at the Zach Scott Theatre in Austin—I accomplished this by cannily neglecting to mention that the play was three-and-a-half hours long. (Details were finally squeezed out of me as we passed New Braunfels; the subsequent mutiny was squelched without significant...
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